MIACA/Moving Image Archive of Contemporary Art Japanese
MIACA Japan
ZAIM 203 34 Nihon Odori, Nakaku, Yokohama Kanagawa 231-0021 Japan
(3 minute walk from Nihon Odori Station of Minatomirai Subway Line)
tel/fax: +81-45-662-0390

3-19-9, Kitasenzoku, Otaku Tokyo 145-0062 Japan
fax:03-3726-6297
info@miaca.org

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copyleft

New! Copyleft and Art -Is there a resistance or strategy?

More and more art today is created from remixed or mashed-up digital content such as photo, animation, moving image and music. Nowadays, copyright is an issue for everyone who writes blogs on the internet, is a member of SNS groups such as mixi, facebook and my space, or a user of sites such as flickr, YouTube, NikoNiko Doga and so on.
In the meantime, enhancement of copyright law is a fashion. Lengthening the terms of copyright in Japan is now under discussion.
Intellectual property is important financial resource especially in the west - the US and Europe already have a longer period of copyright. This development may choke a new circulation of creativity. On the other hand, copyright is critical for professional artists.
Copyleft is sometimes misunderstood as being totally against
copyright. Copyleft is rather an attempt to protect the exclusive right of creators while also nurturing emerging creativity.

We would like to go back to the original ideas of Richard Stallman, and to start a discussion between experts and the audience.

-Is copyleft a resistance or can it be a strategy?
-Can we apply copyleft to works of Art, not just software?
-How does copyleft, and the idea of a 'creative commons', help?
-What do those artists who show and distribute their work on
the internet think? Is it effective for their career?
-What is the difference between Public Domain and Copyleft?

Speakers:

Ken Kanaya : Free culture consumer, Hige Vision, Free Media Research Labo, FAT Tokyo

Tomoki Sakuta: Arts and Law, Curatorial staff of Yokohama
International Festival foe Arts and Media

Hideaki Shirata: Associate Professor of Hose University, Ph.D. of Law

Hikaru Fujii: Artist, activist

Yoshitaka Mouri: Associate Professor of Tokyo University of the Arts

Moderator: Hitomi Hasegawa MIACA Japan

June 26th Fri 2009 7pm~

Sozo Kukan 9001 ( JR Sakuragicho Station)
1-1-75, Sakuragicho, Nakaku, Yokohama, Kanagawa Japan
TEL 045-226-5511 http://www.9001.tv/index.shtml
Admission: 500yen

Organized by MIACA Japan
#203, ZAIM Nihon Odori, Nakaku Yokohama Japan
info@miaca.org
www.miaca.org
+81-45-662-0390
+81-80-5004-1657

Supported by Arts Commission Yokohama, Yokohama Art Foundation
Advanced Arts support Fund 2009

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Kenji Iwaisawa, one of our artist was selected for his work Man in the Tunnel Alley(2008) at International Short Film Festival Oberhausen, one of the oldest film Festival in the world.!

Sunday 3 May at 12.30 a.m. in the Sunset cinema

Tuesday 5 May at 10.30 a.m. in the Gloria cinema.

Both cinemas are placed in the Elsa¨sser Strasse 26, 46045 Oberhausen!

www.kurzfilmtage.de

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"Rain or Shine" by the Group 1965 DVD is released now!

Special Appendix: The Group 1965 Talk at Yakatabune

with English subtitles

Director: Yusuke Tamari (Near Equal Makoto Aida)

Cast: Makoto Aida, Sumihisa Arima, Tsuyoshi Ozawa, Oscar Oiwa, Parco Kinoshita, Hiroyuki Matsukage

Price: 2800 Yen (25USD)

Please visit NADIFF in Ebisu Tokyo, or get one at amazon. Or Contact: MIACA Japan / info@miaca.org

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New! Our Online Catalogue is now uploaded! Please click "Online Catalogue" on top.Five artists participated MIACA. Please check new artists!

- We will open the office for viewing our collection. To make an appointment, please contact info@miaca.org. Please note that we can not book certain dates due to the work schedule.
- Voluntary staff wanted. Please see here.
 



Moving Image Archive of Contemporary Art Tokyo (MIACA) is for the Preservation and Distribution of video art and educating the public about it. There are many video archives all over the world, this is the first one started in Japan in 2006.

About us
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*Video Archive

Since the 70s there have been many institutions dedicated to preserving moving image art works or films, mainly in the US and Europe. The reasons are: the numbers of video pieces is growing: Special equipment and technique are required to utilize moving images : and it is difficult to preserve them.
Most of these institutions are supported by governments, such as the Electronic Arts Intermix in New York, Montevideo in Amsterdam, and Lux in London.
These well-established institutions preserve 1500 to 5000 titles already, distribute them and open their collection to the public and experts.
Unfortunately there is nothing like them in Japan. Our important cultural heritage is being lost. We think that it is urgent to collect and preserve video art and this is main reason we started MIACA.

( The word 'video' is used in its broadest sense to indicate moving image art)



© Cory Arcangel (beige) "MIG-29 and Fighter"
("Don't Touch My Computer" at Pace Wildenstein 2005)

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